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AS Performance Mocks this week

Please make sure you know when your rehearsal and recording are: AS Unit 1 Exam Schedule

Availability of Music Rooms for using Sibelius

The Music Room (upstairs) is available for private study at the following times:

Monday               10.00-12.45

Tuesday              14.10-15.05

Wednesday        08.45-10.00

Friday                  08.45-10.00; 14.10-15.05

In addition you are welcome to work quietly on compositions at the side of the room but not at the following times:

Wednesday        10.00-11.15

Thursday             10.00-12.45

Friday                  10.00-11.15

The Study room is available for private study except for at the following times.

Wednesday        10.00-11.15

Thursday             10.00-12.45

Friday                  10.00-11.15

Music Enrichment Update

  • Choir (Tuesday 10.00), Chamber Choir (Friday 14.10), Wind Band (Monday 15.05) and Orchestra (Wednesday 08:45) are now up and running
  • There is a meeting NEXT Monday at 12:50 for all those interested in smaller Classical chamber groups (please email me if you cannot come)
  • Iain will be emailing about Year 12 Band auditions later this week
  • Folk Group and other student-led enrichment groups are finishing auditions this week and will soon be up and running

Any question email tom.pankhurst@kedst.ac.uk or come and see Tom up in the music office

 

AS (G) Homework set week commencing 15th September

Workshops for help with homework Tuesday and Thursday at 1.15

Starting Points

On Tuesday I will take in Exercise 13

Please submit bars 9-18 of the Starting Points Quartet composition exercise as a Sibelius file on AS Moodle by the end of WEDNESDAY (under Weekly Submissions – attach the Sibelius file and make sure you click on submit when you are done)

Vocal set works

Create a Coggle for Locus Iste that we started in class:

  • Use this Coggle Template (or adapt the one you started). You will need a Google/Gmail account to do this
  • Look at the GSMIRTH Short Guide in your handbooks to help you
  • You must add at least two features of the music per category
  • Either email me a PDF of your Coggle before the lesson or bring a print-off to hand in
  • You will find performances of Bruckner’s Locus Iste on Youtube

Workshops

See below for Music Workshop times. Those marked with an asterisk are in C4 (English block) all others are in the Music Room.

 

Workshops

 

 

AS (G) Homework set weeks commencing 1st and 8th of September

Workshops for help with homework Tuesday and Thursday at 1.15

Starting Points

For Thursday 11th – Finish Exercises 3 and 4 in the starting points book and do stage one of Exercise 6.

Vocal set works

For Monday 15th – Finish the Vocal Works Summary Sheet

AS Homework – w/c 1st September

  • Short  History of Music Follow-up task (due on Monday for G group and Tuesday for F Group)
  • Create a Google account if you do not already have one
  • Follow the http://www.alevelmusic.com blog (top of this page)
  • Make sure you have all relevant dates from your handbook in your diaries and those of your parents/guardians
  • Sign up for some CBSO concerts across the year
  • Make sure you have a folder and at least 5 dividers just for music
  • Complete your Unit 1 Initial Proposals form

Student Voice: You said … we did …

At several points throughout the year we respond to student suggestions made through various channels. These action points are following up comments made in the QDP survey in the spring and the subject focus group sessions. If you have suggestions at any point in the year, please do feel free to make them either in person, by email or by popping an anonymous note in our new suggestions box in the top corridor.

The suggestions and action points can be found here: You said we did 2015

Last week of term homeworks

Composition

Ensure your final composition work submitted onto Moodle by the end of Wednesday if you are in D group and Thursday if you are in A group. We will take these submissions into consideration in September in the event of students doing poorly in the AS Music. If you have not made an effort with this project it will count against you.

CBSO Concerts – BOOK TICKETS!

We have got tickets to the following concerts in 2014/15 for only £5. We usually go for a pizza beforehand. Print off the forms using the links below and take them to registry with your payment.

Thursday 2nd October Sibelius – Oceanides

Mozart – Piano Concerto K271

Wigglesworth – Augenlieder

Debussy – La mer

141002 Letter

141002 Permission Slip

A really varied programme from the attractive and accessible Mozart Piano Concerto, through Debussy’s impressionist masterpiece to a glittering work by contemporary composer Ryan Wigglesworth

 

Thursday 4th December Britten – Serenade for Tenor, Horn and Strings

MacMillan – St Luke Passion

141204 Letter

141204 Permission Slip

The UK premiere of the British composer James MacMillan’s St Luke Passion. MacMillan’s music is by turns haunting, dramatic and magical, so this setting of the Easter story should be a real treat. Britten’s Serenade is an reflective and beautiful twentieth century classic.

 

Thursday 22nd January Ravel – Rapsodie Espagnole

Falla – El amor brujo

Falla – Nights in the Gardens of Spain

Ravel – Bolero

150122 Letter

150122 Permission Slip

 

A colourful programme of music inspired by Spain, ending with Ravel’s famous Bolero. Taking the baton is Spanish conductor Josep Pons, who should lend an authentic flavour to the orchestra’s playing.

 

Wednesday 11th February Shostakovich – Symphony No. 11 (including introductory talk) 150211 Letter

150211 Permission Slip

Shostakovich’s Eleventh Symphony is one of his most accessible, depicting scenes from the Russian revolution in a dramatic, almost filmic way. The music moves between cold menace, brutal drama and lament, and was an immediate success both in the USSR and abroad.

 

Thursday 26th February Berg – Three Pieces for Orchestra

Mahler – Symphony No. 6

150226 Letter

150226 Permission Slip

 

Mahler’s epic Sixth Symphony is full of dramatic contrast, ending with a brutally tragic fff. Berg’s Three Pieces is much lighter in tone, but no less colourful, ranging from grotesque parody to the extreme chaos of parts of the last movement.