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Yearly Archives: 2020
Welcome to King Ed’s
I’m really looking forward to getting started. If you have joined us more recently and not had a chance to look at the transition materials then please do so. I look forward to meeting you on the week beginning Monday 7th September. A summary of homework tasks each week will be posted here.
Week 1
Please complete the Keys homework on Google Classroom before THURSDAY 10th
Before the end of the weekend, please complete the following:
If you are struggling then please make sure you contact me – don’t just not do the work. I am happy to see students on Monday if you email me for a time.
Welcome Back!
Welcome back to Year 13! We are spending the first few weeks revising and reviewing in readiness for a mock in the week beginning Monday 28th September.
I posted a set of revision materials that you should be using at the end of last term on Google Classroom so the best thing you can do to prepare for the moment is work through this as well as make sure you have given careful thought to your performance programme.
I look forward to seeing you on Monday 7th September.
A Level Results: are they fair?
UPDATE: the Government have now reverted to Centre Assessed Grades: is this fair?!
There are two main ways in which is is NOT a fair way to resolve this situation:
- As noted below, in Stage Two of the original process, teachers and SLT had ALREADY started the work of the algorithm by trying to match grades to the grade profile average of the previous three years. This is why it was so unjust to pull them down further. But restoring the CAG still leaves quite a lot of students whose teacher-assessed grades were changed in order to fit the profile. You could argue that in any case students on the lower end of a grade might arbitrarily lose that grade due to grade boundary changes in the normal system, but this is not the normal system. It is important to remember, however, that students never got a proper opportunity to prove where in the grade boundary they sat.
- Leaving the CAGs unmoderated means that any disparity in applying the algorithm between schools will never get picked up, leaving some cohorts treated more harshly than others.
The shambles that the government and Ofqual have presided over is still unfair on students, it leaves teachers to carry the can for moderating their students’ results downwards, following Ofqual’s instructions in good faith. I predict this will be a huge problem in GCSE results this week, when students will be aggrieved by their teachers’ apparently harsh assessments. The CAGs were never supposed to be the grades that we thought our students would get but the closest we could get to those grades within the stringent guidelines laid out by Ofqual. This subtlety will mostly be lost on students and parents.
I don’t know what the answer to this shambles is, but I do think it is fair to point out that it could have been done so much better. Off the top of my head, I can come up with a better and fairer process, but the government had both experts and plenty of time on their side. The system should have worked something like this, in my opinion:
- Ofqual give clear guidance as to how centres should moderate their teacher assessed marks into CAGs.
- Where there are small cohorts, or large anomalies, centres should have been given a form to fill in, providing more detailed evidence on both individual students attainment and any relevant circumstances (like a change of teacher) that should be taken into account.
- The exam boards could then have used the CAGs and the evidence to review and moderate. The presumption should have been in favour of awarding grades that centres could evidence rather than focusing blindly on avoiding grade inflation. This was never going to set a precedent or cause any major problems.
It is now too late to go back and do this properly, but the above steps could inform a centre-driven appeals process on behalf of students who have been hard done by. On the whole, we will only be talking a grade here and there but for a student who might have got into Manchester on AAB and now has ABC, this is cold comfort.
Are the A level results unfair? My personal view.
This post is an attempt to explain how results were awarded and offer some opinion as to the fairness of the process.
Also see this and this from the Guardian
What do we mean by fair?
I take fairness in this context to mean that all students have the same opportunity to be awarded a mark that reflects their achievement over the two years of their course.
Is the normal process fair?
Any assessment process has some unfair elements. In the awarding of A levels some examples might be:
- a numerical mark on a continuous linear scale is arbitrarily converted into a discrete grade leaving students who have very similar levels of attainment with different grades
- students might be unwell or having difficulties during particular assessments periods (special circumstances try to mitigate this to some extent)
- the way in which knowledge is tested may suit some students better than others (a range of different assessment types can help here)
- examiners might make mistakes or not be competent (moderation and appeals mostly eliminate these problems)
- students are prepared better or worse by different teachers
The process this year
There were several stages and each have potentially unfair elements as follows.
Stage 1
Teachers use available evidence to come up with a mark for each student from which a rank order and a grade is calculated. This is basically an informal version of what usually happens, although there are some potential problems
- Students may have performed worse in mock written examinations than they would have done in the summer. This is a shame but at least all students had the same opportunity (illness during mocks is potentially problematic here)
- Students may or may not have finished coursework that might provide evidence of their ability. Students who were organised and had done work in a timely manner potentially do better, which is arguably unfair, although all students had the same opportunities to finish coursework up to this point.
This stage seems to me not to be notably more unfair than in normal years.
Stage 2
Staff, in consultation with their managers, moderated these marks so that they were broadly in line with results from the previous three years. Senior managers also checked and in some cases adjusted this moderation. The government wanted marks to be plausible in the context of past results. Overall this is reasonable but as noted below, it is not necessarily fair on every individual student.
- the main problem here is where the profile of current students does not fit well with the profile of previous students. The smaller the cohort the worse the problem is likely to be. If I have a very small group and they happen to have three out of six that are outstanding but previous years were quite average, that makes it hard to fairly award marks that are inline with past results
- Even in a larger cohort, if you have an unusual number of B students compared to normal years, some at the top end of the grade could (wrongly) be given an A if you have some of those left over in your nominal ‘quota’ whilst others might be (wrongly) awarded a C to keep the overall profile broadly in line.
Moderation of this sort is decidedly not fair to individual students. You could argue, however, that the process is fair overall, in the sense that this could potentially happen to any student equally. In other words is it fair in the same sense as Russian Roulette is fair – all had an equal opportunity to take a bullet.
Stage 3
Exam boards followed procedures set out by Ofqual to check the moderation of marks and adjust them so that overall the results were in line with those of previous years. This is a normal part of awarding A levels so it is reasonable in principle.
However, smaller cohorts (minority subjects such as music in 11-16 schools) and many subjects in private schools are difficult to moderate because the datasets are too small to be compared meaningfully. Ofqual therefore decided that where cohorts were less than 15 more weight would be given to the Centre Assessed Grades whereas in larger cohorts more weight would be given to the statistical modelling. This was compounded by Ofqual’s unreasonably rigid methodology. If their algorithm suggested that there would be 7 Cs in Music in a particular school’s cohort, then those Cs had to be allocated regardless of the teacher evidence (unless it was too small a cohort to make such a prediction).
THIS is hugely unfair because for the first time in this process students are not being treated in the same way. Those in smaller cohorts are getting a more accurate and individualised mark than those in larger cohorts. This is like putting more bullets in some Russian Roulette players chambers than others.
Summary
It is understandable that Ofqual wanted to keep results from being unreasonably inflated by the optimism of teachers. However, in these extraordinary circumstances, why is it more important to keep results within expected norms than to ensure students get as close to the ‘right’ mark as possible? The main problem with a one-off year of inflated results is that these students will be competing with students with ‘ordinary’ grades next year if they defer uni applications. Surely this is not so difficult to manage.
Grade profiles are a very blunt instrument. I would have put more weight on value added data. If a subject at a college normally has positive value added, it is unlikely that it will suddenly plummet. Boards should have checked moderated results against this benchmark and let CAGs stand if the value added was within normal ranges.
This years students deserved a compassionate process that gave individuals the best possible chance of a fair mark. My own view is that the system failed to achieve this.
Last week of term!
Don’t forget the Virtually Live! released this Friday.
We just have two days this week and I want to wrap up the term with some assessments as follows:
- Timed Essay on Topic A (watch this revision video first)
- Mini-Debussy test (watch the revision video and look at the annotated score first) [now on Google Classroom]
- Musical Theatre assessment [now on Google Classroom]
You also need to hand in your Serial composition by the end of Tuesday.
Finally please take the opportunity this week to catch up on any work missed on Google Classroom.
I will finish marking work including performances this week (i.e. by Friday)
In September we will have a full mock. I will do a revision booklet by the end of this week to guide your preparation for this.
Have a lovely summer. I can’t wait to see you all properly in September!
Year 12 Remote Learning Week 12
Summary for work for this week
For the lessons in college you will need your DEBUSSY scores please.
If you have got behind – PLEASE make sure you catch up now while there is time.
Coming up
This week: performances, Haydn short answer on movements 2 & 3,
Final week (mon./tue. only): timed essay on overall form (Topic A), mini test on AoS E, mini musical theatre test, deadline for serial composition sketch and film cue sketch
Into the C20 (AoS E)
- Complete Debussy Nuages Revision Worksheet (on Google Classroom)
- Composition Task. You need to complete the Serial composition – there is a video on it here. The basic task is to generate a matrix (set of serial rows – generator here) and then to use the pitches to write a piece. See brief on Google Classroom.
WCT AoS A
- Short answer test on Haydn movements 2 and 3. Will ONLY be available on WEDNESDAY.
- Complete your research for essay on overall form (Topic A). There will be a video to help you consolidate later in the week
Also there is the virtual concert choir piece to do here and your practical work to prepare for NEXT WEEK.
Year 12 Remote Learning Week 11
Summary for work for this week
For the lessons in college you will need your DEBUSSY scores please.
If you have got behind – PLEASE make sure you catch up now while there is time.
Coming up
This week: Haydn short answer on movements 1 & 4, deadline for octatonic and whole tone composition sketches
Next week: performances, Haydn short answer on movements 2 & 3,
Final week (mon./tue. only): timed essay on overall form, mini test on AoS E, mini musical theatre test, deadline for serial composition sketch and film cue sketch
Into the C20 (AoS E)
- Complete Debussy Worksheet 4 (on Google Classroom)
- Wider Listening Worksheet (now on Google Classroom)
- Composition Tasks (for this Friday on Google Classroom). The octatonic sketch set last week (make sure you have looked at the . notes and watched the video) PLUS you need to do a whole tone sketch. Both in for this Friday. The whole-tone one is very much like the pentatonic. Stick to the correct scale and concentrate on rhythm, colour and texture to make it interesting.
WCT AoS A
- Short answer test on Haydn movements 1 and 4. Will ONLY be available on WEDNESDAY.
- Start doing your research for overall form symphony topic. There will be a video to help you consolidate next week
Musical Theatre Aos C
- Set THURSDAY
Also there is the virtual concert choir piece to do here and your practical work to prepare for NEXT WEEK.
Year 12 Remote Learning Week 10
Summary for work for this week
For the lessons in college over the next three weeks you will need your DEBUSSY scores please
Into the C20 (AoS E)
- Watch this video on octatonic scales
- Complete Debussy Worksheet 3 (on Google Classroom)
- Wider Listening Worksheet (on Google Classroom)
- Composition Task (for NEXT Friday). Write a short (i.e. 12 or so bars) octatonic sketch. You need to have a look at the examples here for inspiration and watch the video above.
WCT AoS A
- Dictation (on Google Classroom)
- Complete essay in timed conditions on WEDNESDAY (on Google Classroom). You can either handwrite and scan or type.
Musical Theatre Aos C
- Set THURSDAY
Also there is the virtual concert choir piece to do here and your practical work to prepare.
Year 12 Remote Learning Week 9
This week I am trialling putting everything on Google Classroom. I don’t want to get left in the dark ages of Moodle if everyone else is moving on!
I hope it isn’t too much of a pain!
Let me know if you are having problems.
Summary for work for this week
Into the C20 (AoS E) – set on Monday / due Thursday
- Debussy Worksheet 2 (start with this)
- Core Wider Listening Piece 1 (this is just a bit of unseen listening for now, but actually this piece is one we are going to study as one of three core wider listening pieces – we need these as further examples for a 5-mark question in the exam)
- Composition Task (for Friday). Write a short (i.e. 12 or so bars) pentatonic sketch. You need to have a look at the examples here for inspiration and watch the video here. Google Classroom NOT Moodle please
WCT AoS A
- Dictation (on Google Classroom)
- Research/Revision for essay on Harmony and Tonality (remember video from last week)
- Complete Moodle Quiz Haydn 104 Movement 4 Quiz 3
Musical Theatre Aos C
- ‘People will say we’re in love’ listening exercise.
- 32-bar song form – due in on Google Classroom NOT Moodle please
Also there is the virtual concert choir piece to do here and your practical work to prepare.
Year 12 Remote Learning Week 8 (w/c 1st June)
The above calendar gives an overview of what we are doing and when this half term. The focus is slightly changing as we study the following areas:
- Into the Twentieth Century (AoS E)
- Unseen listening in three early twentieth century styles
- Set work: Debussy ‘Nuages’ from Nocturnes
- Review Western Classical Tradition(AoS A) Haydn 104 and cover two more essay topics
- Continue with Musical Theatre Listening (concentrating on the 32-bar song)
- Experiment in a variety of non-WCT compositional styles
This Week
In general over this half term you need to do the six short composition tasks (see Calendar and Moodle) and make sure you have practice the music for your internal performance, which will go ahead in some form before the end of this term.
Monday
- Watch video introduction Into the Twentieth Century
- Complete Unseen Listening Exercise on Moodle
- Complete Debussy Worksheet on Moodle (you will need your yellow Nocturnes score for this)
- Start Composition Sketch 1 on Moodle (32-bar song form)
Wednesday
- Complete Dictation Exercise on Moodle
- Keep revising movements 1 and 4 of the Haydn for review test w/c 29th June. There are two Moodle Quizzes to complete.
- Begin to make notes on Essay Topic G (harmony and tonality).
Thursday
- Watch AoS A introduction to Essay Topic G (Harmony and Tonality)
- Complete Musical Theatre Exercise (on Moodle)
- Read the brief for the composition exercise carefully and listen to one or two of the relevant examples in the Composition Sketch 1 folder on Moodle.
- Live Session on Teams at 2.00pm
Year 12 Remote Learning Week 7 (w/c 18th May)
Coming up:
- Thursday 21st May: Final Submission of Rondo
- Monday 25th May: Submission of notes on Debussy
Rondo (Submission on Thursday)
As well as responding to your feedback you should also consider the following points:
- Make sure there is plenty of articulation (particularly short slurs and staccatos) and dynamic marking
- Keeping the A section returns varied (without breaking them!)
- Making your textures lively and interesting (but not over complex)
- You could also add a D section if you have not done so already so it goes ABACA’DABA. The A before the D should be shorter, more varied and modulate to the new key.
Debussy and the Early Twentieth Century
This week I want you to start research for the topic we are starting after half term. You should also start getting to know the first movement of the Debussy Preludes – the yellow score I gave you before lockdown.
- You should complete the tasks described here: https://moodle1.kedst.ac.uk/course/view.php?id=1139#section-8 by 25th May and submit on Moodle
- You should also (if possible) read the chapter on Into the Twentieth Century in the Rhinegold Eduqas Study Guide
- You should also read and listen to the links on the Short History of Music here
- Listen to the Debussy. The track is on Moodle but also on Youtube This is a piece that you may not immediately be attracted to – it is atmospheric and evocative rather than tuneful. Try and listen to it immersing yourself in its atmosphere, which is something like a ship sailing on a misty ocean in which you can see blurred outlines and shapes and hear strange noises!
WCT etc
Later in the week I will have finished marking your assessments from last week and you should review your marks and feedback. I will let you know when this is ready.