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Yearly Archives: 2015
A2 Homework w/c 13th April
[apologies for lateness]
Applied
You should be doing serious revision, making sure that you know both features in the score and the spin needed for different questions. Make sure you have all the revision notes – they are on Moodle if you need to reprint any in one handy pack.
Instrumental
Not yet set
Composition
Make sure you have handed in your printed score and coversheet. Prepare your score for making the sound file
Chorale
You are redoing two or more phrases from 2012/2013 – making sure they are really as excellent as you can make them.
AS Homework w/c 13 April
[apologies this was late]
Instrumental and vocal
You need to be doing serious revision on:
- Context essays
- Comparison questions
- Features for comparison
- Features from scores for skeleton scores
Harmony
Q4 and Q5 sheet given out (and some started) in class
Composition
- Make sure you have prepared your sleeve note in rough ready for the mock this week
- Complete a cover sheet
- Make a sound (as opposed to a printed) version of your score ready for making the sound file and save it onto the H drive
A2 Easter Homework
Instrumental Use your notes from class to write a mini essay comparing the use of tonality in two of the set works. Work will be shared in the first lesson back after Easter – give as much detail as possible.
Applied and listening
- Revise all of your Applied set works. We will be doing recall and timed-essay work after Easter. You need to learn FEATURES of the works that can help support whatever you are arguing.
- Do at least three extra listening exercises on Moodle. Some are in your red books and there are some other extras as well. The more you do the better.
Chorale
Compulsory chorale 2011 – on Moodle if you lose it (optional chorales 2004 & 2010 – also on Moodle)
AS Easter homework
Composition
Question 1 and Cover Sheet pro forma to help you prepare for these elements of composition.
Both these due in the first day back from Easter
Anthology
When you return we will be doing a variety of knowledge-testing activities around comparison, context and information useful for skeleton scores
- Learn all the comparison questions
- Learn the key context points
- Revise using the revision pack and annotated anthologies – you need to know these pieces like the back of your hand
- Practice answering comparison questions across all four pieces and check your answers in the revision pack
Harmony
Complete the 2011 questions 4 and 5 given out in class (I have given out the wrong music for Q5 – here is the right one)
A2 (D) Homework set w/c 16th March
Instrumental
Not yet set – see last week.
Applied
Not yet set – see last week
Chorale
This week Edexcel 2013:
3.05 Group 1
3.35 Group 2
Composing
Please submit your work in progress along with an annotated version of your feedback sheet by the end of TUESDAY.
A2 (A) Homework set w/c 16th March
Instrumental
Not yet set – see last week.
Applied
Not yet set – see last week.
Chorale
This week Edexcel 2012:
2.10 Group 1
2.35 Group 2
Composing
Not yet set
AS (G) Homework w/c 16th March
Instrumental (for Tuesday)
No homework this week – work on your compositions!
Vocal (for Monday)
Learn the information on the grid we filled in during the lesson
Skeleton scores this week: Poulenc
Skeleton scores next week: Mozart / Kinks
Harmony (for Friday)
Not yet set – none set last week
Composition (end of Wednesday)
Not yet set
AS (F) Homework w/c 16th March
Instrumental (for Tuesday)
No homework this week – work on your compositions!
Vocal (for Wednesday)
Skeleton scores this week:Bach / Faure
Skeleton scores next week: Poulenc
Harmony (for Wednesday)
Not yet set – see last week.
Composition (end of Wednesday)
Ensure you have submitted your four ‘interesting features’ for Question 2 of the Sleeve Note. Examples and guidance on Moodle (you will have to scroll down to find it)
Piece of the week (March 16th)
This week’s piece (requested by Sophie and Laura Jeffs) is by American/British composer Stephen Montague, whose best pieces blend (tongue-in-cheek) experimentalism with a sense of theatre. This piece for wind quintet dispenses with the main body of all the instruments leaving players just with their reeds and mouthpieces. Montague explores the dramatic and sonic possibilities of this very fully in this short piece.
AS (G) Homework w/c 9th March
Instrumental (for Tuesday)
Complete a Coggle (or make a mind map or some other graphic organizer of your own) comparing the Poulenc, Bach and Mozart in terms of their instrumentation. Link to Coggle Template
Vocal (for Monday)
Skeleton scores this week: Bach / Faure
Skeleton scores next week: Poulenc
Harmony (for Friday)
Not yet set – none set last week
Composition (end of Wednesday)
Please submit your work again on this week’s submission. Make sure you have submitted your four interesting features for Question 2 on the Influences and Planner Submissions above the weekly submission.