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Development of the symphony
1712 – Corelli Concerto Grosso
1750 Stamitz Op. 3 No. 2
1758 Stamitz Trio Symphony in E major
1759 C.P.E. Bach in E minor
1760 Filtz Sinfonia a 8
1760 Haydn No. 2
1765 Haydn No. 31
1768 Haydn No. 26
1770 J.C. Bach Op. 18 No. 4
1772 Haydn No. 47
1773 Mozart No. 25
1788 Mozart No. 40
1788 Mozart No. 41
1791 Haydn No. 94
1804 – Beethoven Symphony No. 3
1808 – Beethoven Symphony No. 5
1808 – Beethoven Symphony No. 6 (Pastoral)
1812 – Beethoven Symphony No. 8
1815 – Schubert Symphony No. 3
1816 – Schubert Symphony No. 5
1824 – Beethoven Symphony No. 9
1830 Berlioz Symphonie Fantastique
1834 – Berlioz, Harold in Italy
1850 – Schumann Symphony No. 3 (Rhenish)
1854 – Liszt, Les Preludes, No. 3
1874 Bruckner, Symphony No. 4
1875 – Smetana, ‘Vltava’ from Ma Vlast
1883 – Brahms Symphony No. 3
1885 – Brahms Symphony No. 4
1888 – Strauss, Don Juan
1888 – Tchaikovsky Symphony No. 5
1889 Dvorak – Symphony No. 8
1893 – Dvorak Symphony No. 9
1893 Tchaikovsky Symphony No. 6
1894 – Mahler Symphony No. 2
Haydn and humour
Music at University and Conservatoire (Guidance for 2022)
Starting Points
A Level Music Composition
1 Writing a simple Classical theme
Stage 1: Compose a Basic Idea
Basic idea examples
Stage 2: Writing Cadences
Stage 3: Choosing a phrase structure
Modulating Period
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Rondo Project Themes
Rondo Overall Structure Examples
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Small Ternary
Stage 4: Texture
Orchestral Textures (Page 1)
Orchestral Textures (Page 2)
String Quartet Texture Models (Page 1)
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2 WCT Fingerprints
1 Common cadences
2 Circle of fifths
3 Parallel Motion
4 Octave Unison
5 Tonic Pedal
6 Dominant Pedal
Chords over a dominant pedal
7 Diminished seventh
7b Secondary dominant
8 Augmented Sixth
9 Modulations
String Quartet Modulations
3 Composing Help and Reference
1 Melody and dissonance
2 Voice-leading
3 Harmony
4 Keys and modulation
5 Dynamics and articulation
6 Instrument Ranges: Strings
7 Instrument Ranges: Woodwind
8 Instrument Ranges: Brass (and timps)
Dissonance Rogues Gallery
Sonata Form
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4 Texture and Sonority
1 String Writing (Introduction)
String Writing 1: Pizzicato and Double Stopping
String writing 2: Open Strings and Vibrato
String Writing 3: Tremolo
String Writing 4: Bow Placement
String Writing 5: Other Bowing Techniques
String Writing 6: Harmonics
String Writing 7: Muted Timbres and Glissando
2 Piano accompaniments
Minuet Examples
5 Twentieth Century Composition
Dissonance on the rise!
Exotic Scales
Exotic scales (octatonic)
Octatonic Scales for composition
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Ravel String Quartet Examples
Western Classical Tradition: Style Composition Hub
Composition Exercise – Storm episode
Storm Episode – Semiquavers
Storm!
Rondo Composition (Project 7)
Tempo markings
Instrumental and Vocal Lessons at King Ed’s
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Reference: Handbook and Info
Careers in Music
Comparison (Schoenberg/Sondheim)
Into the Twentieth Century (AoS E)
Sibelius Shortcuts
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Year 11 Transition to A level Music
Year 13 Transition Work for Music at University
Short History of Music
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2 SHOM – Baroque
3 SHOM – Classical
4 SHOM – Romantic
5 SHOM – Twentieth Century
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Summer Virtually Live 2020
Music @ King Ed’s Video Upload Page
Summer Virtually Live 2021
X – Chorale Worksheets (ChoraleGUIDE)
X – GCSE Glossary
Basic Textures
Harmony opposites
Melody: Scales
Ostinato
Rhythmic features
Sequence and Inversion
Tremolo
X – Info for Peripatetic Teachers
www.ALevelMusic.com
Tom Pankhurst's A-Level Music Site
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Dim sevenths ascending
Dim sevenths ascending
Published
April 21, 2021
at
2170 × 998
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Dim sevenths ascending
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